A Hub for Studying and Celebrating Black Life

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The Institute for Black Intellectual and Cultural Life officially opens.

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Kimberly Juanita Brown
(Video by MPG/Sawyer Broadley ’08)

Dartmouth celebrated the formal opening of the, marking the permanent establishment of a vibrant, welcoming nexus of research, creativity, and community.

Faculty, students, and alumni joined and on May 3 to honor the institute’s achievements and aspirations with an afternoon of reflection and music. Multiple speakers emphasized the importance of the IBICL to the entire Dartmouth community and thanked donors who helped make the institute possible.

President Beilock focused on the institute’s role in bringing more voices to the process of academic inquiry and discovery and said she was proud to help launch the institute as a “permanent fixture at Dartmouth.”

“We fundamentally believe in having the hard and honest conversations in the service of uncovering truth and knowledge, and we fundamentally believe in the independent mind,” Beilock told guests. “The goal of this institute, of this incredible team of scholars and faculty we’ve assembled, is to inspire and awaken those independent minds to question things, to push our institutions and our society to examine themselves, and to do so by teaching the parts of our history that for too long have gone untaught.”

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Laurel Richie, Grace Hope Hill, and Jénee Potts
Laurel Richie ’81, center, former chair of the Dartmouth Board of Trustees, greets Grace Hope Hill, Guarini ’75, the widow of renowned theater professor Errol Hill. At left is JĂ©nee Potts, assistant director for the Institute for Black Intellectual and Cultural Life. (Photo by Mark Washburn)

Established in 2023 with more than $1 million in gifts from alumni and friends, as well as institutional support, the institute cultivates and celebrates academic inquiry, dialogue, and creative expression. The IBICL awards research grants, sponsors a range of events, and offers a welcoming space in the Haldeman Center where students, faculty, and staff can gather to learn and exchange ideas. A video shown at the event summarized the institute’s establishment and reach.

Senior Vice President , said one of the institute’s central purposes is to advance the Black community’s enduring commitment to the liberal arts and support for inquiry that is expansive, interdisciplinary, and transformative.

“In support of our students, faculty, and staff, the institute brings together scholars and artists who tell the rich history of the Black diaspora,” Delalue said. “This work is essential both for those who identify with the African diaspora and for anyone seeking to understand the diaspora in all its richness and complexity. When we create spaces where Black life is studied and celebrated, we enrich our collective knowledge and honor the accomplishments of a remarkable legacy of people.”

This institute has already sponsored more than 50 events to honor that legacy, shining a light on research and creative projects developed at Dartmouth, and has hosted scholars, artists, writers, and activists from other institutions. Among the most popular events of the past two years were the Hip Hop at 50 presentation by writer and activist Kevin Powell; a standing room-only book talk by Assistant Professor , an ethnomusicologist in the Department of Music, focusing on the sound of gentrification; and the One Hundred Days of James Baldwin series of readings, presentations, and discussions.

 â€śThe institute has exceeded expectations because it is a place that people come to if they want to explore the world of Black subjects across the globe, if they want to engage artistically, or if they want to participate in the production of knowledge and present their research,” said Associate Professor of English and Creative Writing , the institute’s director. “We are really in our beginning stage. We’ll need another two or three years to find out exactly what we can do, and that’s exciting.”

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Group of community members at the launch of IBICL
Members of the Dartmouth community, including President Sian Leah Beilock, fourth from left, celebrate the permanent launch of the Institute for Black Intellectual and Cultural Life on May 3. (Photo by Mark Washburn)

Brown was unable to attend the May 3 celebration due to illness. Just as she has been the institute’s guiding force since its opening, Brown led the planning for the event, which included a faculty panel discussion.

Four professors discussed their current research and reflected on the institute’s importance: Assistant Professor of Sociology , Assistant Professor of Geography , Lecturer , and Assistant Professor of Spanish and Portuguese .

“A space like the IBICLI offers a reprieve,” Allen said. “I don’t have to constantly explain why studying Black people is important because I can be with colleagues who inherently understand the value of Blackness and Black life and how it informs our fields.”

Ansley Booker, the inaugural Penny and Jim Coulter 1982 Executive Director of Dartmouth NEXT, concluded the formal portion of the event by looking to the future and how the IBICL will help foster collaboration. Dartmouth NEXT is an institute-wide initiative to expand the number of students from all backgrounds completing degrees in the sciences, technology, engineering, art, mathematics, and medicine. She said the IBICL’s work complements the efforts of Dartmouth NEXT.

“One of the goals of Dartmouth NEXT and its connection to the IBICL is to create space and opportunities to enhance the employability of our Dartmouth scholars by highlighting their ability to bridge the gaps between disciplines like science and art,” she said. “Research has noted that those students are able to leverage competencies such as critical thinking, collaboration, and adaptability and are able to create more innovative ideas and solutions while thriving in a global professional environment.”

The IBICL hosted a series of activities over the weekend. They included a special event at the Rauner Special Collections Library highlighting Black history at Dartmouth; a viewing of works created by Black artists at the Hood Museum of Art; an open house in the IBICL’s new home, featuring the introduction of paintings by , the George Frederick Jewett Professor of Studio Art, and Renold Laurent; a screening of works by filmmaker and Assistant Professor of Film and Media Studies ; and a student panel discussion.

about the institute and its upcoming events.

James Bressor